IDEOGRAMMA will promote ‘logos ( Greek for spoken words) – poetry’ as a verbal expression which transcends the boundaries of language and other cultural and ethnic differences as well as other forms of culture.
How can we combine the different forms of art like theatre, music, dance and literature?
What could be the result and the achievement?
How is the situation of non-profit cultural organisations? What could they reach in working together?
The FORUM STADTPARK is a place of production and presentation for contemporary art. This house, which is organized as an artists association, stands for an expanded definition of art and for an intersectional work in different areas.
How could places which are laboratories and platforms like Forum Stadtpark are an issue for a sustainable society (in regard to social, political, but also ecological aspects)?
How could such places are an issue as “real places” in the time of World Wide Web?
If every human being is an artist – how are persons reachable, who didn’t have anything to do with Avant-Garde-Art until now?
A book is the ultimate mass-produced commodity. It is a rectangular object that stacks easily and can be made cheaply in great numbers…
What the icelandic artist group Meðgönguljóð propose for the SOUNDOUT! festival is to make the book itself an integral part of the reading process—to link readers to the books they consume on an emotional and physical level. They focus on the physical presentation of the book, on its creation, it‘s literal binding, its birth, as a literary happening.
How can we make the written word relevant in a fast-paced, visually-obsessed world?
Valgerður Þóroddsdóttir set an experimental example at Soundout
CROWD is a trans-European network of literary activists from the independent scene (authors, translators, organisers, literature bloggers, editors of literature magazines, indie publishing houses), that will meet for the first time this weekend in the Lettrétage. CROWD wants to discover all kinds of ideas of contemporary literature in Europe, to develop them collectively and to bring them into the public, Europe-wide discourse.
During the evening events of this first CROWD Conference we want to ask ourselves and you: Which texts are nowadays relevant due to what reasons – political, aesthetical etc.? How can literature let us experience our society beyond the mere documentation of our present? In what kind of tension are therefore politics and aesthetics, tradition and experiment, author reference and reader reference involved?
Lily Michaelides (Cyprus), Max Höfler (Austria), Laura Serkosalo (Finland), Ana Pejović (Serbia), Ondřej Buddeus (Czech Republic), Andrea Inglese (Italy/France), Valgerdur Thoroddsdottir (Iceland), Inga Bodnarjuka (Latvia) and Steven Fowler (UK) will read and discuss.
“In the Austrian contemporary literature Höfler’s approach, which one can discribe as „Helge Schneider and Monty Python meet Wittgenstein, Kant and Derrida to taste schnapps“, is in any case unique. Max Höflers „Texas als Texttitel“ is an excellent debut, which is deversified and inventive, criticaly satiric and in part gloriously absurd.”
For the German among you: Read the whole critique of Literaturhaus Wien here!
Is literature only valuable, when it is unique? What makes contemporary literature unique?
Does an author have more inspiration, when he works under political pressure, when he has to fight against someone or something? What kind of positive enemies could this be nowadays, when we live in freedom and pleasure?
„In 2013 he published his book Lettere alla Reinserzione Culturale del Disoccupato (“Letters to the Cultural Reinsertion of the Unemployed”) in Italy. The book consists of 17 letters. The writer of these letters, who is unemployed, directs his words to an indistinctly outlined entity called “Cultural Reinsertion”, whose dubious task is the integration of the unemployed into cultural life.“
Do we need more political themes in contemporary literature?